Tuesday, June 17, 2025

Two, new hand-stitched In Box Series pieces and the last Reasons for Tears handkerchiefs


 

(Above:  In Box CDLIV and In Box CDLV ... framed!  Each one is 19 1/2" x 15 1/2".  Layers of polyester stretch velvet fused on recycled black industrial felt, stitched with cotton embroidery floss, and subjected to a melting technique.  Click on any image to enlarge.)

Driving The Lace Forest to Fiberarts International in Pittsburgh and back meant time in the cargo van.  Time in the cargo van is an opportunity to stitch!  Many people don't know how I manage stitching in the passenger seat, but it's easy!  I use whatever color my hands land on first.  There is no pattern.  It's just stitch, stitch, stitch!

 
(Above:  In Box CDLIV.)

In one sense, there's not much to it.  Only straight stitches and French knots are needed.  When I run out of a color, I just switch to another.  I'll be doing it again ... very soon.  Why?  Well, Steve and I leave tomorrow to return for the opening events associated with Fiberarts International.  I have two more In Box pieces ready to go ... one for the ten hour trip there and one for the return.

 
(Above:  In Box CDLV.)

I'm frequently asked, "How long does it take you to make a piece?"  Well ... I now know that it takes about ten hours to stitch one of these, but that doesn't incorporate the time spent cutting polyester stretch velvet shapes and ironing them to the industrial felt.  It also doesn't include the time to melt, mount, and frame the work.  Plus, there's the time to iron heat-activated adhesive (Pellon 805 Wonder Under) to the back of all the polyester stretch velvet.  I really don't know how long a piece requires but t least I now know how long it takes to hand-stitch a piece this size! LOL!

(Above:  The last group of handkerchiefs for my Reasons for Tears installation.)

Meanwhile, I've been wrapping up the work for next month's Degenerate Art Project at Stormwater Studios in Columbia.  These are the last handkerchiefs for my installation Reasons for Tears. Since being rinsed and dried on this makeshift clothesline, they've been ironed and photographed individually.  There are 120 individual pieces.  I had to stop.  Honestly, the list of grievances from the Trump administration is weighing heavily on my mind and starting to seriously affect my attitude.  I want to be happy, especially this coming weekend in Pittsburgh.  I've waited years for the opportunity to have one of my pieces in the Fiberart International triennial!  It's going to be a great time no matter what is coming out of Washington DC (at least that's my hope!)



Sunday, June 15, 2025

Nails in a Coffin

(Above:  Nails in a Coffin, 12" x 18" x 12".  Wooden coffin filled with old, yarn-wrapped nails and collaged with the following words. Top: Democracy. Inside lid: The Government as We've Known It. Bottom: Art by Susan Lenz June 2025.  Click on any image to enlarge.)

When I'm working, my mind is often roaming down rabbit hole ideas, especially when a strong concept is in the forefront of my brain.  Because I was invited to participate in an exhibit called The Degenerate Art Project at Stormwater Studios in Columbia, SC, I've been stitching a new installation called Reasons for Tears. (Click here for a recent blog post.) I've been stitching collected grievances about the Trump administration on dozens of vintage handkerchiefs.  There are now more than one hundred, but the process does allow my imagination to roam to other related ideas.  First, I just had to make The Locks Have All Been Changed. (I blogged that last Monday ... here.) Yet, I had another idea.  I couldn't help myself ... again ... and it just had to be made too.

 
(Above: Detail of Nails in a Coffin.)

It was actually quite easy because I already had thousands of old nails wrapped with yarn.  I've used these nails in other installations and even a collaboration with poet Al Black (Images HERE.)  I have two, plastic parts containers (the sort others use for beads or screws or other small items) filled with letters clipped from various magazines and vintage books.  One container has mostly black-and-white/vintage/antique letters.  One container has colorful letters clipped from magazines.  It was quick fun to select letters to collage on the wooden coffin which I ordered from Woodpecker Crafts

 
(Above:  The lid of Nails in a Coffin.)

All I basically did was to stain the wooden coffin maple colored, collage the letters, and fill the interior with nails.  At this moment, I don't even know whether the show will allow me to have three different works.  I've asked and am waiting for an answer.  I hope it gets to go!  One way or the other, this piece just had to be made.  

UPDATE!  This piece will be in the upcoming exhibit!

Tuesday, June 10, 2025

Mandala CCXXXIII

 

(Above:  Mandala CCXXIV. Custom framed:  11 1/4" x 11 1/4".  Found objects hand-stitched to a scrap of a vintage quilt.  Objects include:  A red faucet wheel handle; miniature clothespins; decorative toy scissors; Earth Day buttons; laminated Tampa Nugget cigar bands; hexagonal cut game pieces; lime green figures on horseback; assorted buttons and beads.  Click on image to enlarge.)

Last week I asked Steve to cut me a floater frame with precise outer dimensions: 12" x 12".  This was for my SAQA (Studio Art Quilt Associates) annual fundraising auction donation. (Click here for that blog post.) He found a short stick of moulding that he said "might work". It was going to "be close". We had no more of this particular moulding.  So, Steve tried to cut it to the required size.  The last piece, however, was three-quarters of an inch too small.  I told him to simply cut another moulding to the needed 12" x 12" size but to trim the three sides of this moulding to the length of the leg that was "too short".  So, I ended up with this frame:  11 1/4" x 11 1/4".  I designed the two pieces at roughly the same time.  Like the donation, it was a challenge to work this small but also fun to stitch!

Monday, June 09, 2025

The Locks Have All Been Changed

(Above:  The Locks Have All Been Changed. 43" x 21 1/2".  Mixed media.  Click on any image to enlarge.) 

Sometimes I just can't help myself.  An idea presents itself in my imagination and resistance is not an option.  The work has to be made; the idea haunts my mind until the work is underway.  This is one of those pieces!

(Above:  Detail of The Locks Have All Been Changed.) 

Truthfully, I don't need this piece.  The exhibition, The Degenerate Art Show, to which it is headed is only going to be on view from July 8 - 13 at Stormwater Studios in downtown Columbia.  That's not very long and not in front of many people.  The show is being organized by Jasper Project as a way for local artists to respond to the current socio-political situation.  I was invited to participate and immediately started an installation called Reason for Tears.  (Click here for my most recent update on Reasons for Tears ... which now has ninety-three stitched handkerchiefs.)

 
(Above:  Detail of The Locks Have All Been Changed.)

The thing about this installation, however, is that my mind is really engaged while free-motion stitching the handkerchiefs.  I'm literally THINKING about each "reason for tears" and wondering about all the people effected by sudden executive orders, every proposed action, all the insults and the many lies.  How many people were forced to resign?  How many people were terminated?  How many grants have been halted? How many businesses have lost contracts?  Well ... I asked Steve to do a little research for me.  I asked him to find out how many office leases have been terminated.  Honestly, I thought the number would be low enough that I could create a tagged key for all of them.  NO WAY!  Steve found the official website for the Department of Government Efficiency and scrolled down to "lease terminations".  It's overwhelming.  (The number has increased during the three days it took for me to create this work.  As of this message, there are 485.  There are claims that the number could rise to nearly 800 offices.)  

How could I not make this piece?  It had to be made regardless of the days on view or the number of people who will see it.  It is my response to the staggering number of closures.  It is the least I can do.


Thursday, June 05, 2025

Mandala CCXXXIII, SAQA auction donation

(Above:  Mandala CCXXXIII. Custom framed: 12" x 12". Found objects hand-stitched to a block of an antique Dresden Plate quilt. Objects include:  Part of a pocket watch; thimbles; miniature clothespins; decorative plastic scissors; bobbins; keys; prisms; Brownie and Junior Girl Scout pins; pink, fabric yoyos; antique eyeglasses; recycle buttons; assorted buttons and beads. Click on either image to enlarge.)

Every year SAQA (Studio Art Quilt Associates) holds an on-line autumn fundraising auction.  Each piece is exactly 12" x 12".  I decided to create a miniature Found Object Mandala for this event.  It was a challenge.  Sometimes, small is hard!  But I think the work turned out very well.  My hope is that someone will love it enough to bid ... September 13 - October 6!

(Above:  Detail of Mandala CCXXXIII at an angle.)

Wednesday, June 04, 2025

In Box CDLII and CDLIII

(Above:  In Box CDLII, left and In Box CDLIII, right.  Custom framed: 21" x 9" each. Polyester stretch velvet on synthetic felt with hand stitching and melting techniques. Each $195 plus tax and shipping.  Click on any image to enlarge.)

Right now, I have lots of new work in various stages of production.  This is one of the reasons why I never answer the question "How long does it take you to make a piece?"  I really don't know.  How does one account for all the prep work?  Ironing Pellon 805/Wonder Under onto the reverse of every piece of polyester stretch velvet in my stash?  How do I count the hours of a single piece when there are literally SIXTEEN on which I am working?

 
(Above:  Detail of In Box CDLII.)

Why so many?  Well ... the first thing I do is to cut squares and rectangles of each color of polyester stretch velvet ... making small piles.  Then, I construct the foundation layer on several pieces of prepped synthetic felt.  This way, I'm using the cut pieces before trimming the rest into increasingly smaller and smaller pieces to be fused on the top of the foundation layer.  So ... sixteen foundations are now ready for smaller pieces.  Yet, I went ahead and layered up these two skinny pieces.  They were hand-stitched in front of the television over the weekend.

 
(Above:  Detail of In Box CDLIII.)

Both these pieces were mounted on small pieces of acid-free foamcore, one behind every square or rectangle.  Then, the work was mounted on mat board where I signed it.  That gives each piece the look of being slightly above the mat board, as if "floating".  I took the photos directly through the glass.  This was possible because the glass is UV filtering and anti-reflective "museum" glass.  These two were fun to make.


Monday, June 02, 2025

Reasons for Tears, the installation is growing

 

(Above:  Reasons for Tears, an installation in progress.  Click on any image to enlarge.)

A little over a week ago, I blogged about this installation with images that look remarkably similar to those in this post.  Of course they look similar!  In both entries, I was showing a couple dozen, damp vintage handkerchiefs pinned to a makeshift clothesline.  The difference is in the details!  On each handkerchief is free-motion stitched text.  The text is a "reason for tears" due to statements, executive orders, and other policies coming from the Trump administration.  To do this, I used an adhesive backed, water soluble stabilizer to make the ultra sheer material able to accept the machine stitching.  Then, each one was rinsed (and by that I mean lots of agitation, a little delicate rubbing, and plenty of water!)

(Above: Another view of Reasons for Tears in progress.)

On my last blog post about this installation, I said I'd put a temporary hold on this project because of the social media posts written about it.  I'd requested donations of additional handkerchiefs and statements.  Lots of people responded, but at the time, I had no idea how many handkerchiefs would be arriving in my mailbox.  Thus, I didn't want to keep stitching on those from my own stash. 

 
(Above: Another view of Reasons for Tears in progress.)

Since then, dozens have arrived!  I've been stitching up a storm (though not as "stormy" as conditions coming from the White House.)  Yesterday, rinsed ... and rinsed ... and rinsed!  Today, more handkerchiefs arrived.  I'll be back at it soon.  I love doing something to express my personal frustrations.  I only wish that the list of "reasons" wasn't still growing.


Wednesday, May 28, 2025

YoYo Greeting Cards

 

(Above:  Dozens of YoYo blank greeting cards.  Each card is 5 1/2" x 4 1/4".  Click on either image to enlarge.)

Sometimes, I just need a slight diversion from more serious, time-consuming work.  Some times, I also need to replenish small things others seem to like (and purchase!)  Last week, both these needs converged and I started a flurry of activity ... transforming scraps of handmade paper and painted canvas into bases for vintage fabric yoyos ... making lots of small greeting cards!  How did this happen?  Well ... I was looking for "something".  I now can't remember what but my hands fell among the scraps of handmade paper and painted canvas that I keep on a shelf.  I thought to myself, "Susan, what are you keeping this stuff for?"  My answer was this!

 
(Above:  The same greeting cards packaged into half-dozen groups.)

Ordinarily, I package my greeting cards individually but this time I decided to put six (each totally different from one another) in a single cellophane bag with six envelopes.  They are now randomly available for $40 including shipping within the USA inside small, flat rate USPS boxes.  If you want one, just drop me an email at mouse_house@prodigy.net.  I'll send you a PayPal invoice (and you don't even have to have a PayPal account to use their system!)

Friday, May 23, 2025

Reasons for Tears, installation update

 

(Above:  Some of the individual handkerchiefs from my new installation, Reasons for Tears, drying on a makeshift clothesline in my sanctuary studio.  Click on any image to enlarge.)

The first few handkerchiefs stitched for this installation were done while I was relearning how to best stitch text on ultra thin fabric using an adhesive backed, water-soluble stabilizer.  I've got the process down now!  There are forty-two finished handkerchiefs but the list of grievances is growing daily.  

(Above:  Reasons for Tears in progress.)

I've put a temporary hold on this project.  Why?  Well ... I shared this installation on social media.  It included my address so that anyone could send another handkerchief for me to use.  Several people responded saying that they would mail a donation, but ... to be perfectly honest ... I don't know yet if all these nice people were serious.  Are there handkerchiefs winging their way to me in Cateechee?  I hope so but I also don't know how many might be coming. I'll wait a couple days to see what the postman brings!  Please scroll down to see a few of the ones that are ready for to be exhibited.







Thursday, May 22, 2025

Mandala CCXXXII

(Above:  Mandala CCXXXII.  Custom framed: 22" x 22".  Found objects hand-stitched to a section of a vintage quilt.  Objects include: A woven trivet; a door knocker; kitchen drain strainers; wooden ends of flag dowels; metal tags for suspected meat; washers; vintage poker chips; children's scissors; coat hooks; ten-cent food credit tokens; assorted buttons and beads.  Click on either image to enlarge.)

It's been well over a week since I last posted a Found Object Mandala.  Momentarily, I've had a slight blip in this series.  We forgot to order more stretcher bar for mounting!  This piece was left stapled to its larger stretcher bar, a heavier duty piece of wood.  It had to wait until our supply was replenished.  As such, I haven't started a new one either.

 
(Above:  Detail of Mandala CCXXXII.)

In the meantime, I've been stitching on my new installation, Reasons for Tears, and also transforming a large number of vintage yoyos into handmade greeting cards.  Plus, more wooden thread spool Christmas ornaments are under construction.  More posts coming soon!  Promise! 

Sunday, May 18, 2025

Reasons for Tears, a new installation

 

(Above:  A vintage handkerchief on which I've free-motion stitched a "reason for tears".  Click on image to enlarge.)

For me, this is risky ... but it is hardly the first time when I've gone out on a political limb to express my opinions.  In 2020, I created How Lucky Am I: White Privilege as my way of coping with the trauma caused by the murder of George Floyd and other Black Lives Matter issues.  I've made other politically charged artwork too but, for the most part ... especially on social media ... don't rant about my liberal leanings and don't criticize those expressing an opposite point of view.  I truly believe that both sides ought to LISTEN MORE and TALK LESS ... but that doesn't seem to be happening in elite circles.  I also believe that if one isn't part of a solution, one is part of the problem.  So, I'm at a crossroads now.  Keeping quiet doesn't solve anything at all.  Creating this new installation might not solve any problem either but at least I can be counted among those who believe/know that President Trump is harming our country both internationally and here at home.

Several weeks ago I was approached to participate in a group exhibition called Entartete Kunst: Jasper's Degenerate Art Project.  (Click the link to learn more about it, including the title's historical reference to 1937 Nazi exhibit of what they considered "degenerate art".)  I said yes and sent this proposal:

Reasons for Tears: An Installation of Altered Handkerchiefs

My studio practice is rooted in the act of reclaiming and reimagining forgotten, overlooked, or obsolete objects—items others might consider mundane or destined for the landfill. For this project, I have collected over one hundred vintage handkerchiefs, which I will transform using free-motion machine embroidery. Each handkerchief will be inscribed with a phrase—a "reason for tears"—expressing grief and dismay in response to executive orders and policy proposals from the Trump administration, particularly those impacting economics, foreign affairs, immigration, the environment, culture, and the rights of marginalized communities.

These embroidered handkerchiefs will be suspended in a site-specific yet adaptable/flexible installation, bearing silent witness to sorrow and protest. Together, they will speak to the emotional weight of systemic intolerance, racial injustice, economic instability, the erosion of human rights, political polarization, and countless other causes for mourning.

With the formal announcement of the upcoming Jasper Project exhibition, I will launch a crowd-sourcing campaign to collect additional handkerchiefs and phrase suggestions. If possible, a notebook will accompany the installation, inviting visitors to contribute their own "reasons for tears," allowing the work to evolve in dialogue with its audience.

(Above:  The first seven finished handkerchiefs.)

Each handkerchief is free-motion stitched using an adhesive-backed, water-soluble stabilizer.  Once stitched, lots of rinsing is involved to dissolve that tissue.  It is a time consuming task and the list I have is lengthy but I truly want others to be involved ... if only to express themselves, count themselves among those who are seriously worried about the direction the current administration is taking.  So ... if you are so inclined, please mail a handkerchief (preferably one of those pretty vintage ones!) to me at 320 North Church Street, Central, SC 29360.  I promise to send a thank you note to your post-marked address.  Also, please scan over the list of "reasons for tears" below.  Email me your addition to mouse_house@prodigy.net.

1. For Kilmar Abrego Garcia who was illegally deported to El Salvador

2. For Robert F. Kennedy Jr. casting doubt on the safety of vaccines

3. For Robert F. Kennedy Jr.'s statements suggesting that vaccines might cause autism

4. For a judge ruling that Columbia student Mahmoud Khalil can be deported

5. For the State Department telling employees to report on each other for anti-Christian bias.

6. For the The Trump administration moving forward with cutting Maine's K-12 funding over transgender kids in girls' school sports.

7. For the White House replacing a portrait of former President Obama with pop art of Trump with his fist in the air after the assassination attempt on him.

8. For on-going confusion over tariffs

9. For targeting books perceived to be dealing with DEI and "gender ideology" for removal from libraries.

10. For threatening to revoke Harvard's tax-exempt status

11. For planning an overhaul of the Endangered Species Act by redefining the word "harm"

12. For issuing a halt to construction on a New York wind energy project that would power 500,000 homes

13. For a transceiver for Musk's Starlink satellite network on the roof of GSA headquarters

14. For sparking a constitutional crisis

15. For putting tariffs on an island of penguins

16. For withdrawing the USA from the World Health Organization

17. For changing the acceptable level of water pressure in shower heads

18. For criticizing FEMAs efforts after Hurricane Helene

19. For declaring that U.S. policy recognizes only two sexes, male and female.

20. For directing agencies to ensure federal funds “do not promote gender ideology.”

21. For trying to end all diversity, equity, inclusion and accessibility programs, policies and mandates across the federal government.

22. For directing the government to terminate all positions related to DEI

23. For DOGE and its over-reaching guidelines to streamline the government

24. For revoking security clearances of former intelligence officials

25. For repealing Biden-era executive orders, including the task force aimed at reuniting migrant families

26. For repealing Biden-era executive orders, including protections for LGBTQ people

27. For repealing Biden-era executive orders, including those dealing with climate change

28. For threatening birth right citizenship

29. For the United States withdrawal from the Paris Agreement

30. For renaming the Gulf of Mexico as the Gulf of America in federal references.

31. For calling for a physical wall and other barriers on the southern border

32. For ending DEI programs in federal agencies

33. For revoking two of Biden's executive orders on abortion access which sought to ensure safety at clinics and pharmacies

34. For barring transgender people from serving in the military

35. For allowing service members discharged from the military for refusing the COVID vaccine to be reinstated and receive full back pay, benefits, or compensation.

36. For ending gender-affirming medical care for minors

37. For directing the Education Department to prioritize school choice programs through its discretionary grants

38. For the tariffs on Canadian and Mexican imports

39. For escalating the trade war with China

40. For declaring that the U.S. will not participate in the United Nations Human Rights Council

41. For eliminating the Federal Executive Institute

42. For eliminating paper straws in federal agency buildings.

43. For commencing a reduction of The Presidio Trust, the Inter-American Foundation, the United States African Development Foundation and the United States Institute of Peace.

44. For Elon Musk twice doing what resembled a Hitler salute

45. For pardoning more than 1,500 people convicted for January the riot charges

46. For seeking to block federal funding to NPR

47. For suggesting that the US would takeover Gaza and turn it into a lavish beach paradise

48. For Trump supporting Defense Secretary Pete Hegseth after he shared sensitive military attack plans with a journalist

49. For calling Ukraine President Volodomyr Zelensky a dictator

50. For threatening to take over Greenland

51. For suggesting Canada would become the fifty-first state

52. For signing an executive order to eliminate the Department of Education

53. For purging top staff of the National Archives

54. For shuttering the White House Office of Gun Violence Prevention

55. For slashing jobs at the Department of Veterans Affairs

56. For RFK Jr. downplaying the severity of a measles outbreak in Texas

57. For baselessly blaming a deadly mid-air collision of a military helicopter and a passenger jet on DEI initiatives

58. For claiming the U.S. spent $50 million on condoms for Gaza

59. For claiming the US spent millions making mice transgender

60. For Trump’s takeover of the Kennedy Center for Performing Arts and declaring himself its chairman

61. For the Naval Academy library’s purge of books by Maya Angelou while retaining Hitler’s Mein Kampf.

62. For the Pentagon briefly blocking web pages and training materials dedicated to the Tuskegee Airmen, the Navajo codebreakers, Jackie Robinson, and Women Airforce Service Pilots (WASPs)

63. For ordering a crackdown on supposed “anti-American ideology” at the Smithsonian Institution

64. For cutting thousands of jobs at the Forest Service and National Park Service

65. For Trump calling pollsters criminals who should be investigated

66. For plans to move against sanctuary cities

67. For granted coal-fired power plants a two-year reprieve from a requirement to reduce harmful emissions

68. For reducing the minimum wage for federal contractors

69. For stalling the implementation of a rule that would protect miners from silica exposure

70. For limiting federal workers’ collective bargaining agreements

71. For gutting the worker safety agency NIOSH

Wednesday, May 14, 2025

Ag + Art Tour 2025

(Above:  Stitching with a family during the Ag + Art Tour.)

Just when I thought there were no photos from the recent Ag + Art Tour, Steve mentioned taking a couple when I was hand-stitching on the prepared public art project.  It was a fun way to show kids how to attach a button or to quilt through layers of vintage scraps.  It was a great weekend ... and the next weekend was fantastic too!

(Above:  Beastie II on left; Beastie I on right.)

Why?  Well ... we went to a dealership in Greer to look at a cargo van.  We ended up buying it!  There's a story here, and it goes like this.  Once upon a time, Steve and I bought a little red Toyota Cross.  It happened on May 12, 2022.  Our thought was to drive this new car instead of our cargo van ... except when delivering an art installation or doing a show like the Smithsonian Craft Show.  After all, Beastie the Cargo Van had logged lots and lots of miles.  We thought that we could extend its life until the time when we were too old to haul a booth full of art all around the country.  Then, we bought our church.  For several months, Beastie the Cargo van made weekend trips from Columbia to Cateechee ... moving most of our possessions.  It's a 250+ mile round trip. Beastie logged lots more miles ... too many miles.  We had to admit that we needed a new cargo van.  We traded in the little red car and got a great deal on Beastie II.  Paperwork was filed and keys exchanged on May 12, 2025 ... exactly three years after we got the car.  Although we've been a "two van family" in the past, there's no need for this sort of arrangement now.  Beastie I leaves this coming weekend.  He is going to one of the guys at Complete Car Care back in Columbia, someone who has maintained Beastie since the beginning.  Beastie I is soon to become a camper van!  What a good life!

Monday, May 12, 2025

Mandala CCXXXI

(Above:  Mandala CCXXXI.  Custom framed: 27 3/8" x 27 3/8".  Found objects hand-stitched to a section of a vintage quilt. Objects include:  The face of an exterior thermometer and a brioche mold on four pieces of crochet and a decorative piece of aluminum; red and white, plastic bottle caps; clear, plastic side combs; View Master reels; drawer pulls; belt buckles; silver Mardi Gras doubloons; decorative charms; assorted buttons and beads.  Click on any image to enlarge.)

I finished this mandala before going to the Smithsonian Craft Show but didn't get it mounted and framed.  Without the frame, I can't hang it for its photo op. The framing happened when we returned but that week was really crazy!  I never touched my camera.  Instead, Steve and I spent three days sweeping, scouring, dusting, scrubbing, and all out cleaning the entire place.  It was exhausting but we are really happy to have it so fabulously tidy!

(Above:  Detail of Mandala CCXXXI.)
 
Why all the cleaning?  Well ... on May 3 and 4 we were part of the Pickens County Ag+Art Tour.  Our doors stayed wide open from 10 - 5 on Saturday and 1 - 4 on Sunday.  That prior week of cleaning also included all the tiresome tasks that have to occur after an event like the Smithsonian Craft Show ... paying sales tax, marking sold work in my inventory book, filing receipts, putting the booth away, etc.

(Above:  Detail of Mandala CCXXXI.)

What kept us going during that week of cleaning was the anticipation for the Ag+Art Tour.  For us, it served as an open house for our new home/studio in this old textile mill village church.  Lots and lots of people came and some even purchased artwork (totally unexpected and absolutely not why we so badly wanted to be part of this event!)  We were so busy chatting with visitors that neither of us took a single picture!  It is a shame but .... we've already been told that our place will be on next year's tour!  In all livelihood, this place won't be as neat and clean until then!  In the meantime, I managed to take these pictures of the most recently finished Found Object Mandala!