Tuesday, July 10, 2018

The Cocoon Gets Finished and Installed

 (Above:  Inside The Cocoon at the Rensing Center Library.  Click on any image to enlarge.)

Yesterday and today have been simply grand!  The vision in my head became a physical reality. The Cocoon is mostly installed in the Rensing Center Library.  I've got a few finishing touches to add (like threaded needles and buttons on the little, round table ... something visitors can use!), but otherwise I'm ready for Thursday evening's art reception, 6 - 8 pm.  If you are in the area, please come!

 (Above:  The front side of the last two panels created for The Cocoon.)

Before writing about the process of transporting and installing, I'd like to share the last two panels created.  The one on the left has three different petticoats below a simple camisole on top of a pink tablecloth. The other panel was more complicated.  The decorative edges of five different bed sheets were removed and stitched into strips and decorated with yoyo-s.  The rest of the cotton sheets were donated to the Rensing Center for an upcoming indigo dyeing workshop.

 (Above:  The back of the last two panels.)

It's been great fun deciding how to incorporate my stash of mismatched, often damaged, generally well worn and neglected old textiles.  Yet, I've run out of hangers and I know I've made more panels than can be on display Thursday night.

(Above:  Spoonflower printed labels with the South Carolina Arts Commission and other funding information ... ready to be ironed onto sixteen different panels.)

One of the last things I did was to attach sixteen labels to various panels.  I designed the labels in Photoshop and ordered a "fat quarter" of them from Spoonflower.  Wonder Under (a heat-activated adhesive) was ironed to the label's reverse and then onto the panels.  Each label includes the official logo for the SC Arts Commission and the following statement:  Funded in part by the SC Arts Commission, National Endowment for the Arts, and the John and Susan Bennett Memorial Arts Fund of the Coastal Community Foundation of SC. Including this information is part of the agreement for the funding.  The funding assisted with the purchase of the pipe system on which The Cocoon is built.



Finally, I had all thirty-six hangers filled and ready to be transported to the Rensing Library.  (Just look how nice my label looks in the lower portion of that panel!)


I had what seemed to be a great pipe for my cargo van.  All thirty-six hangers fit nicely on it.  I thought it was brilliant ... until I tried to drive down the gravel path and out onto the paved driveway.  In my rear view mirror, I could see the pipe bouncing and bending under the weight of these textiles.  I knew I was in trouble and needed a better pipe!  I did manage to get to the Rensing Library, thank goodness.  It's only about one hundred yards away!  I unloaded my hanging panels.


Then I headed into downtown Pickens to Bivens Hardware store ... a real hardware store ... with an owner/manager and a knowledgable and hard-working staff.  The boss' nephew measured the inside of my cargo van, cut a much thicker pipe, drilled holes in it for hanging hardware, and chained the well-designed contraption to the cargo van's roof.  It can even be easily taken down later ... and put back up again when needed.  This service ran me $21 but I insisted on an equal tip!  It was so worth it!  This hardware store even sells my favorite, hand-cut, square Tremont nails!


So ... finally I was back in the library with the assemblage system in place.  The view above is how visitors will first enter the space.


This is how it looked from behind where the two chairs sit.


This is the view across the space ... obviously these views were before the panels were installed.


Now I have all the pipes filled but still have thirteen filled hangers.  I really don't mind the fact that not all the work will be on display.  I've known from the start that I had enough pipe system to erect a 20' x 20' area.  The Rensing Center Library isn't that large ... but hopefully future opportunities will require all the panels!


So, the rest of the photos are details of The Cocoon.  This one is in the interior.


In another indentation hangs the beautiful, heavy satin 1948 wedding gown.


Visitors will be able to walk totally around The Cocoon, looking at both sides of the panels.  The view above is one of my favorites.  In the distance is Rensing Center Executive Director Ellen Kochansky's grandmother's treadle sewing machine!

 

Between the skylights, the track lighting, and another set of double doors, one would think the interior would be awesomely lit. To be honest, the installation could use more light. But in another sense, the shadows from one side to the other are absolutely amazing!

 

With more even lighting, I don't think I could have taken this fantastic shot. It really showcases the elaborate designs of an otherwise white tablecloth.  The green color comes from a tablecloth on the other side of the panel.  The lighting for this particular view is stellar!


I'm very much looking forward to watching people explore The Cocoon.  Best yet, I can't wait to hear their stories of family members who stitched, quilted, and did handwork.  It's going to be wonderful!

 


Saturday, July 07, 2018

More Panels for The Cocoon

(Above:  Detail of gloves now attached to one of the panels in The Cocoon.  Click on any image in this blog post to enlarge.)

The piles of vintage textiles laying on the floor of "The Pottery", my accommodations and studio here at the Rensing Center, are getting smaller. More panels are stitched every day!  Soon it will be time for me to move the entire installation to the Rensing Library for next week's reception.  (Thursday, July 12th from 6 - 8)  I'm getting excited! The Cocoon will be open to the public!   

 (Above:  Three more panels for The Cocoon.)

I've been hanging the newly made panels on this outer section of the pipe-assemblage cube and photographing both the front (above) and the back (below).  Of course, there really won't be a "front" or a "back" once the installation is set up.  There will be only "interior" and "exterior".
 

(Above:  The "back" of the panels shown previously.)

After I took these photos and the details, I took the panels down and hung them on my 22" heavy-duty bedspread/drapery hangers and immediately started stitching new panels to replace them. So, scroll down.  I'm sharing the details of this first set and following it up with the next set!


This detail shows a how I attached one of the small circular tablecloths to a larger green one ... and then put a blue apron on top!


Here's a crocheted collar that I attached with buttons.


I put a very small piece of crochet (possibly one meant to be combined with others and made into a doily?) on top of this great but damaged hand embroidered, cotton doily.


I love how the green curtain on the other side of this panel makes the lacy tablecloth stand out!

 (Above:  The next set of three panels created since the Fourth of July.)

Figuring out how to incorporate the circular tablecloths was a challenge!  Getting the elastic that gathered up the "arm part" of these colorful gloves was another challenge! 


(Above:  The "back" of the panels just shown previously.)

I was able to use a lightweight, ruffle edged bedspread as a backdrop to yet another antique, cotton dress.  Below are the detail shots of both the "front" and "back" for the second set of panels.  Enjoy!


I used six different cotton placemats on this panel!


The center of this circular tablecloth was embellished with yoyo-s and another, small lace doily.


My stash included several coats-of-arms for Scandinavian countries, and I found a place for each one!
 

Ironing an antique dress like this is a real pain!  I cannot imagine doing it without an electric iron!


Wednesday, July 04, 2018

The Fourth of July at the Rensing Center

 (Above:  The Cocoon, in progress.  Click on any image to enlarge.)

Since taking down all the previously constructed panels and putting them on the drapery/bedspread hangers, I've made several more sections for The Cocoon.  This is my last week to make these panels as I will be moving the entire installation to the Rensing Center Library next Tuesday for the Thursday, July 12th reception ... which is from 6 - 8 pm and open to the public.  If you're in the area, please consider this your invitation.

 (Above:  The reverse of the three panels shown in the first image.)

All these panels are double-sided.  Originally, I thought I would be attaching the front to the back with buttons ... in a sense, quilting the two sides together.  Yet, I learned that this just doesn't work.  The varying weights of the fabric and the many odd shapes and wrinkles mean these panels hang much better just flowing down to the floor.  Each one is slightly longer than the eight foot pipe system.  I like the effect, the "puddling" of vintage fabric at the bottom.

 (Above:  Another panel beside half of the previously made panels that are now on hangers.)

I am also trying to use the crocheted doilies.  They are sort of difficult to incorporate but important.  Why?  Well, the entire idea for this installation stems from my TEDx talk.  The presentation is called Precious: Making a Plan for your Precious Possessions.  In it, a often mention "Grandma's doilies".  In it, I suggest USING your precious possessions ... but the truth of the matter is: No one uses doilies anymore!  So this installation really needs to become a place for at least some of them!

 (Above: Detail of an appliqued and embroidered crib cover with yoyo-s.)

So ... today is the Fourth of July!  What did I do? I stitched, of course!  Yet, I also went to the Pickens County Flea Market.  There were hundreds and hundreds of people there.  It was a lot of fun but not as much fun as continuing my project.  Scroll down for a few more detail images!







I am linking this post to Nina-Marie's "Off the Wall Fridays", a site for sharing fiber arts.

Sunday, July 01, 2018

Heavy Duty Hangers

 (Above:  One of Nahanco's 22", heavy-duty drapery/linen hangers.  Click on any image to enlarge.)

One of the advantages to being at an art residency within three hours from home is the fact that I can actually "go home" for a day if I need to go.  I needed a quick visit on Friday.  Why?  Well, there was a large custom picture framing order (as in 44 pieces) for the local school district's permanent art collection (a project Mouse House has done for at least eighteen to twenty years) and MY HANGERS ARRIVED!

 (Above:  Some of the 36 hangers needed for storing and transporting The Cocoon.)

After an exhaustive Internet search, I finally settled on a box of thirty-six, heavy-duty NAHANCO drapery/linen/bedspread hangers.  These metal hangers are 22" in width and made right here in the USA.  For hangers, they were not inexpensive.  My husband Steve was flabbergasted at the price ... until the box arrived and he saw just how perfect they are for storing and transporting The Cocoon.  I would have ordered them to come directly to the Rensing Center but Steve wanted to see these things first (because he really thought I'd lost my mind with this purchase! LOL!)
 
(Above:  My studio/apartment after reconfiguring the pipe assemblage and carefully hanging all the panels on the hangers.)

So, I made a quick trip back to Columbia, did a little framing, and brought my hangers back to the Rensing Center. Okay ... I also created a sign and guest book for the upcoming art reception. The Cocoon will be open to the public from 6 - 8 on July 12th in the Rensing Center Library.  This is an awesome opportunity for me to move the installation, set it up, engage the public, and snap photographs for a proposal.  With any luck, The Cocoon will have several shows in all sorts of different places ... and I will be ready because I have this early chance to stage it!

(Above:  The panels hanging on the pipe system ... view from my ironing station.)

Although I still can't set up the pipe system in a full 10' x 10' design, I was able to erect a 10' x 8' cube.  I hung the existing panels on the eight foot sections.  These panels are actually quite heavy! So far, I have plenty of finished panels for a10' x 10' enclosure but I want to be able to create a 20' x 20' space.  I've got pipe system for this larger area.  So, I've already started construction on additional panels.

 (Above:  Detail of half of the finished, hanging panels.)

It might not look like it in these photos, but there are a lot fewer household linens in piles all over the floor.  There are, however, still some pieces that I really want to transform into more panels for The Cocoon.

  (Above:  Detail of half of the finished, hanging panels.)

Earlier into this art residency, I promised images of the natural beauty which surrounds me.  They are below.


There's a little trail that starts within twenty feet of my front door.  It goes down a wooded path near the cow pasture and leads to a secluded ...


... waterfall!  It is quite pretty and the sound is so relaxing.


Along the way, I've seen all sorts of fungi and mushrooms and


blossoming rhododendron ...

 
... and a turtle ...

... and plenty of spiders in their elaborate webs!  Now ... back to work! Stitch, stitch, stitch!