Digging Deeper

(Above: Key to Everlasting Life. 8" x 6". Embellished background, found objects, collaged vintage papers, hand stitching. Click on image to enlarge.)

My self-imposed February deadline is looming. In less than two months Blues Chapel will have returned from Texas and be installed at Gallery 80808/Vista Studios. It will fill the large space. I'm not worried about this part of the exhibition...even though at least three pieces have been sold. My focus really isn't on this part of the show. It might seem strange, but the entire reason for mounting this exhibition is to have an opportunity to photograph the Epitaph Installation with its associated work. My thinking is simple: I've already built the "church" (Blues Chapel); now I'm building the "graveyard" (which I'm calling "Last Words"....although I might later call is "Everlasting"....which one sounds better?) With proper photographs, I can begin to submit for future solo shows elsewhere.

The work is coming along wonderfully. Yet, I continue to think up new ideas for other, related pieces of art. There's no way to get it all done before February 4th! One of the reasons I am continually inspired is that I am continually finding new places to investigate.

Over the weekend I found the South Carolina State Cemetery. Using Google Maps....on "satellite" mode....I saw a little dirt road off one of the paved roads in the local cemetery. I went on my moped. Although still in the city, only a mile from the State Capitol building, only four blocks from my house....I was all alone under a perfect blue sky with tall trees on all sides. The only sign of "civilization" was the nearby, empty railroad line.

At the end of the dirt road was a surprisingly well kept clearing. This is the South Carolina State cemetery...resting places for prisoners, mostly from the 1930s.

Beyond these markers is a bright white, 8 foot tall, fence around a very small plot of land. It wasn't locked. I went inside. The manicured lawn and bench made this a very special location for the physical remains of bodies donated to the University of South Carolina's School of Medicine.

Also in the clearing was another large, chiseled grave. It marked the location to which early, unknown settlers bodies had been moved in order to enlarge I-126, the highway coming into town. (Please note, I found this place utterly peaceful, completely beautiful, and totally respectful.)

All weekend I thought about society's funeral customs and the complications that must be addressed when someone's death or last requests aren't "the norm". This really is "food for thought" but also inspiration for creativity. While I thought, I worked....on several more pieces in my Angels in Mourning Series.

(Above: The Last Prayer, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)

(Above: The Appointed Hour, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)


(Above: Departed, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)

(Above: Farewell, Beloved, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)

I also visited another local cemetery for another AMAZINGLY large haul of artificial flowers from the trash bins and dumpsters. (Click here for a post that includes a photos of my guest bathtub full of flowers being washed....looks like a Pre-Raphelite location for Ophelia's drowning!)

Okay....I know this series have pretty much taken over my life, but that's NOT what it is all about. I'm not obsessed with "death" but with all the things I want to accomplish beforehand. There are so many things I want to "recycle".... incorporate with textiles and stitches...breathe new life into something old....etc. That's exactly what I did with a lovely little glass bead and wire necklace that my sister Wanda sent to me. She was clearing out a storage bin...found it...and knew I'd love it for art. It reminded me of all my artificial flowers. So, refashioned it into the Key of Everlasting Life. (Far above). Thank you Wanda! It is perfect! It will replace one of the "keys" that were sold from my Decisions Installation...even though it was inspired by my "Last Words" or "Everlasting" work! I guess everything I do is related!

Now...I don't just "hang out" in cemeteries! I also make it a point to see new, contemporary textiles whenever possible. Last Friday, while dropping off new work at the Grovewood Gallery, I was able to spend time in the gallery space (Spotlight Gallery) there. The show was called L.I.N.T. (Ladies in New Textiles).

(Above: L.I.N.T.
The show featured works By: Norma Bradley, Peggy Debell, Diana Denardis, Sondra Dorn, Vicki Essig, Suzanne Gernandt, Susan Webb Lee, Janice Maddox, Bernie Rowell, Judy Simmons, Kathy Spencer, Jude Stuecker and Jen Swearington.

I was particularly fond of Bernie Rowell's Envelope Series. I'm also a fan of canceled stamps, vintage handwriting, and the combination of paper and textiles with stitch. Suzanne Gernandt's work perfectly blended painted papers, weaving, and stitch. She listed the work as "mixed media weaving"....a perfect way to categorize them. Her craftsmanship was brilliant. Jen Swearington uses old household textiles to "illustrate stories that have yet to be written." I'm totally drawn to this notion of "repurposing" material!

Another newspaper article and another In Box

(Above: In Box LVIII, detail. Click on image to enlarge.)

I found another article about Blues Chapel. This one appears in the Denton Record Chronicle. The actual article is HERE! I've copied the article below. Reading how others describe my work is a thrill. It makes me think....consider new ways of looking at art, even my own. The feedback enriches my emotional experience as an artist.....so THANK YOU....to every one who has sent and email, written a comment, and looked at my work in person or through this blog. This is providing a mental dialogue that will deepen my abilities to make significant art.

Also, I finished another piece for the Grovewood Gallery....just in time to go to Asheville later in the day!

(Above: In Box LVIII. Approximately 25" x 15" unframed. 35 1/2" x 23 1/2" framed. Polyester stretch velvets on acrylic felt. Free motion machine embroidery. Melting. Click on image to enlarge.)

Forgotten voices
Multimedia artist devotes exhibition to blueswomen

01:22 AM CST on Thursday, December 3, 2009

Artist Susan Lenz’s “Blues Chapel” is a tribute to African-American women who rivaled bluesmen in talent. It’s also a tenacious exploration of another craft still pushed to the margin because largely female hands make it: fiber art.

Lenz’s exhibit, now showing in the Gough Gallery at the Center for the Visual Arts, is by turns funny, sad, devotional and defiant.

Lenz uses found objects in her work, which looks like it was created through a hybrid of quilting, lace-making and hand-dyeing.

It’s through the coincidental nature of the found objects that Lenz teaches a cheeky lesson about obscurity, and how women who should have found great fame — the inimitable Ma Rainey, Nina Simone and Ethel Waters — didn’t.

The faces of these singers are in a lot of the work, some of which recalls Orthodox Christian icons.

Meanwhile, Tapestry in Blue honors 24 early female blues singers by depicting them as martyrs, in prints pieced together as a traditional block quilt. Beneath the tapestry are wooden offering plates filled with vinyl records, empty blue wine bottles and blackened roses.

The exhibit runs through Jan. 8. Admission is free. Gallery hours are 1 to 5 p.m. Tuesday through Sunday. The arts center, at 400 E. Hickory St., will be closed Dec. 24-25, Dec. 28, Dec. 31 and Jan 1.

For more information, or to arrange docent tours, call 940-382-2787 or visit www.dentonarts.com.

“Storybook Quilts,” an exhibit of work by members of the Denton Quilt Guild, runs through Jan. 8 in the Meadows Gallery at the center.

— Lucinda Breeding

I love Grovewood Gallery!

(Above: In Box LVI, detail. Click on image to enlarge.)

One of my two New Year's Resolutions for 2009 was to find gallery representation....something prestigious, established, and respected. A place that wanted my larger, more serious pieces...not my bookmarks and Christmas ornaments....a place that represents fine craft artists who regularly show in American Craft Council shows and national juried exhibitions.


(Above: In Box LVI. Framed: 35 1/2" x 23 1/2". Free motion machine embroidery on melted polyester velvet and acrylic felt with painted, heat-activated adhesive and metallic foiling. Click on image to enlarge.)

It took most of the year. In September my work was accepted at the Grovewood Gallery in Asheville, NC. I was thrilled then and I'm thrilled now! Work is SELLING! I'll be taking these three pieces (and a fourth one that isn't quite finished!) to Asheville on Friday. It is so exciting!


(Above: In Box LVII, detail. Click on image to enlarge.)

My other 2009 New Year's Resolution was to get accepted in an international juried show....and I'm over the moon about my acceptance into Quilt Elements 2010. So....what's the New Year's Resolution(s) for 2010? I'm thinking about affiliations. I don't really have any...like SAQA or SDA. What are the best ones? Which organizations would really help my fledgling art career grow to a higher tier of respect? Any suggestions?


(Above: In Box LVII. Click on image to enlarge. For a free tutorial on the construction of this series, click HERE!)

I forgot to snap a photo of In Box LV before framing it. Perhaps this is a good thing as the photo below really does give the right impression of how these works look once finished and hanging on a wall!

(Above: In Box LV hanging on the walls at Mouse House until Friday...when it heads to the Grovewood Gallery!)

In Box LIV and miniature heat transfer leave quilts

(Above: In Box LIV, detail. Click on image to enlarge.)

While installing Blues Chapel in Texas, I had my laptop and corresponded with a couple back in Columbia. The wife had seen my "In Box Series" pieces at Gallery 80808/Vista Studios...where my studio is. The husband needs artwork for his new, corporate office. He came to look at them, but most are now at the Grovewood Gallery in Asheville. Using images on my blog, we came to an agreement for a commission which I just completed! I hope they like In Box LIV!

(Above: In Box LIV. Full view. Click on image to enlarge. For a tutorial for making this work, please click HERE.)

I also created six miniature quilts using the fabric that I made with the public while demonstrating heat activated paints and crayons at Saluda Shoals Park on October 4th at an event called Unearth, A Celebration of Naturally Inspired Art. I thought only the kids would get involved but found that EVERYONE....young and old enjoyed making crayon rubbings of the leaves. I used these images for the "positives". I used the actual leaves with heat activated painted paper to create the "resists". I don't have any photos from the day....because I was too busy ironing!

(Above: Six matted, miniature quilts made using heat activated transfer paints and crayons on polyester. I added the "center". It was made using water soluble material as a stablizer on a chiffon scarf. The leave was free motion stitched on the chiffon/stablizer; rinsed....dissolving the stablizer; and tacked on top of the fabric.)

My friend Dolly Patton is the executive director of the Saluda Shoals Foundation and spearheaded the event. I made these pieces for her to use however she can to promote the park as an arts destination....maybe as special gifts for major sponsors. The public and I actually made four pieces of material. Above are the other three....also going to Dolly in order for her to use anyway she can!

Blues Chapel makes the Denton newspaper!

Wednesday, November 25, 2009 , Updated

Artist honors blues singers in Denton exhibition

by Morgan Walker of North Texas Daily

Photo by Morgan Walker

Susan Lenz, a fiber and mixed media artist, installed her latest work “Blues Chapel” on Sunday at the Gough Gallery in the Denton Center for Visual Arts.

Students interested in learning the art of mixed media now have an opportunity while listening to the soulful sounds of early female blues singers.

Susan Lenz, an artist from Columbia, S.C., installed her latest work “Blues Chapel” on Sunday at the Gough Gallery in the Denton Center for the Visual Arts.

“Tapestry in Blue,” a mixed media quilt, honors 24 early female blues singers and inspired Lenz to create the larger installation, “Blues Chapel.”

“These early female blues singers lived in a male-dominated culture in the segregated South, primarily,” Lenz said.

The chapel honors singers such as Billie Holiday, Ella Fitzgerald, Dinah Washington and Bessie Smith.

Lenz said she wanted to depict these women as if they were martyred saints because they put the woes in their life into their lyrics and were passionate about music.

When she started to make art, Lenz said her mentor told her to enter juried shows, which provide artists the opportunity to submit their work to a qualified juror who then decides whether to do a show featuring that artist’s work.

“You get more rejects than acceptances,” Lenz said.

The best juried shows have well-respected jurors from beyond the local area who produce catalogs, Lenz added.

Lenz said she came to Denton because of Materials: Hard and Soft, a show the Center for Visual Arts puts on every year.

Photo by Morgan Walker

“Two years ago I got one piece in and last year I got two pieces in and got awarded with a catalog and it was so exciting,” Lenz said.

Deb Dyer, associate director of the center, said she loved the idea of the “Blues Chapel” from the moment she saw Lenz’s work on a disc.

“I wanted something that gave another dimension to fiber art besides just patchwork quilts,” Dyer said.

It has a much stronger statement than paintings hanging on a wall, Dyer added.

Lenz created an environment for “Blues Chapel” by placing church pews in the center of the gallery with her work surrounding the room while soulful music plays.

“It’s not painting a single piece, it’s something that sort of builds and when you create that environment it becomes multidimensional,” Dyer said.

Lenz said when the installation was first created in 2006, three of the women she included in her piece were still alive but Ruth Brown and Anita O’Day died in November 2006 and Koko Taylor died in June 2009.

“I wanted a way to pay tribute and respect to people that paved the way for the world to be a better place,” Lenz said.

“Blues Chapel” will be at the Gough Gallery until Jan. 8.

For more information call the Center for Visual Arts at 940-382-2787.

Blues Chapel at the Greater Denton Arts Center, TEXAS!

(Above: Blues Chapel in the Gough Gallery at the Greater Denton Arts Council, Denton, TX. Click on any image in this post to enlarge.)

It is my distinct honor to have Blues Chapel on display at the Greater Denton Arts Council in Denton, TX through January 6, 2010. I've looked forward to this experience for months...and it lived up to and well beyond my wildest dreams. It's said that "everything is BIGGER in Texas"....well, I don't know about the size of things but the quality of everything is definitely BETTER!

Steve and I drove a Penske rental truck loaded with artwork and arrived at the gallery around 10:30 AM last Wednesday. The staff and volunteers were waiting to help unload and install! They were amazing and helped in more ways than I dared imagine. (THANK YOU!) Within no time at all, we were hanging pictures on the wall, placing votive candles around the music stand, and putting the faux-church bulletins and fans on the pews.

(Above and below are images of the installation in progress. The volunteers worked tirelessly. I couldn't have done it without them and the talented staff!)

The Gough Gallery is a perfect setting for my work. The high ceilings and smooth floor immediately took on the atmosphere of a church-like place. The lighting was even more amazing. There were three spot lights for three of the faux-stained glass pieces. The other three were hung on the adjacent wall...creating a total feel of sacred ground.

On the opposite side of the gallery, I positioned the Altar for Forgiveness. The gallery provided the pedestals for the Plexi-glass box and signage.

Before the afternoon was over, everything was in place....

...from the signage on the entrance doors....

...to the exterior signage outside the building.

The exhibition looks wonderful. Below are some of the photos I took.














I can't say enough about the people and town of Denton! While there, I gave two presentations. One was for the museum docents. They were so interested in every part of Blues Chapel and were carefully preparing to take the county's fourth graders through the exhibition. They asked some of the most intelligent and relevant questions, including "What would you like for your work to impress upon fourth graders?" (Answer: Creating art doesn't necessarily require drawing skills.....and that embroidery doesn't necessarily need to be painstaking, perfect, or counted!)

This photo was taken of me with two new friends: Connie Akers and Amanda Johnson. The other presentation was for the public/area fiber artists. There's nothing quite like being surrounded by like-minded stitchers! Amanda wrote about the "openness and encouraging spirit" of this past weekend. Believe me, I felt it too!

The photo above was taken on Denton's town square. Dominated by the late 19th c. courthouse, the square is surrounded by independent businesses (except only one store!) including a Beth Marie's Old Fashion Ice Cream parlor, an enormous used book and record shop, Recycled Books, in the former opera house, and Jupiter House Coffee....where all the town's important wheeling and dealing takes place over great java....and, evidently the freshly squeezed wheat grass!

(Generally, I'm adventuresome....but, no, I didn't sample this! The nice girl behind the counter promised a clear complexion. Fortunately, I don't have to worry about this!)

Denton also provided another interesting graveyard for epitaphs. Until visiting Oakwood Cemetery, I'd never seen a tombstone listing the date for EXECUTION! Still, the ones for infants will always be the most touching....even if the baby never got a name.

All in all, the trip was wonderful. The installation went so smoothly and the exhibition looks great. Everyone was friendly and my only hope is that the art will touch many. It's on view through January 6, 2010. Then, Steve and I will return with the Penske rental truck....and see our new friends again.

By the way....even the graffiti in Denton is charming. The only spray painted symbol I saw was a heart.....a heart in Texas! How perfect!

Update on Recycled Felt!

(Above: Connie Akers with the purse she lined with recycled black felt!)

The black felt I use for my Grave Rubbing Art Quilt series is recycled from the River Runner, a kayak and canoe shop here in Columbia. Believe it or not, these outdoor boats are shipped to suppliers wrapped in felt. Generally, the felt is simply thrown out, but River Runner's owner, Guy Jones, saves all the felt for me. Recently I had more than I could handle and mailed it away. Five went to people outside the USA (my limit!). I still have more to mail to people inside the USA.

(To see the original blog post about this, click HERE!)

While in Texas, I met one of the wonderful ladies that had already received some of the black recycled felt. That's Connie Akers, above, showing how she used the felt to line a cute purse. Below are postcards I received from Carole Kokinis in England and Margeeth....who also sent the fantastic buttons. She's in the Netherlands. These postcards were most unexpected. I only asked that a postcards be sent to Guy Jones at the River Runner, 905 Gervais Street, Columbia, SC 29201! Guy didn't know anything about this until postcards started coming. He and his wife have promised to find a time when I can photograph them with their new treasures....which THEY LOVE! Thanks to everyone who sent a postcard to Guy!

Oregon

I'm catching up! Why? Because my blogging is SO FAR BEHIND! Steve and I just returned from a glorious experience installing Blues Chapel at the Greater Denton Arts Council.....and I haven't even posted about our trip to Oregon over Halloween weekend!

So.....the full OREGON POST is on "My Family Blog". Click HERE to access all the wonderful photos taken on the sand dunes, in the tree house, at Crater Lake, and during a great vacation...which, of course, included visits to two cemeteries! (My artistic passions go with me everywhere!)

Along with this post, I uploaded four videos....just a few seconds each!

Click HERE for the Oregon Sand Dunes
Click HERE for the Rope Bridge at the Out 'n' About Treesort
Click HERE for me trying the rope swing
Click HERE for Crater Lake!

TEXAS....WE WILL COME!

(Above: The final chapter of my recent The Artist's Way group....going around the table from the front left to the front right....Margaret Nevell, Kristine Hartvigsen, Kim Bendillo, me, Gita Larson, Kay Reardon, Regan Regan, Dolly Patton, and Doni Jordan....only one person was missing!)

This past week has been a whirlwind of activity. Steve and I are almost ready for tomorrow morning when we pick up the 12' long Penske rental truck, load Blues Chapel, and head out to Denton, TX! Blues Chapel will be installed on Friday. I'll give a "talk" to the museum docents and then a Power Point presentation to the area fiber artists/public on Saturday. The opening reception is on Sunday. Then we head back to Columbia. (I'll have blog updates! Quite exciting!)

While we're gone, the annual fall kick-off to the holiday season, Vista Lights, will take place. Every year the downtown galleries and retail businesses stay open late, throw art receptions, and light the big, outdoor Christmas tree. Gervais Street, the "main drag", is shut for pedestrian traffic and Gallery 80808/Vista Studios (where my studio is located) is crowded with people from 5 - 10. The thirteen artist with studios at Gallery 80808/Vista Studio mount a group show. I have five pieces from my Decision Portrait Series in the show (below). Dolly Patton and Margaret Nevell, two of my friends who just complete the Julia Cameron's 12-week The Artist's Way art adventure with me, is manning my studio.

(Above: Solidarity. Decision Portrait Series. 31" x 25", framed. Words: I shave my head to support those with breast cancer. Xylene photo transfer on tea-stained muslin, assorted threads, ribbon, beads. Hand stitched and beaded. Click on image to enlarge. )

Mentioning The Artist's Way, I recently facilitated a group and we just finished the final chapter yesterday evening. This is my second time through the book. The first time was MIRACULOUS! Through the process, I learned to claim my artistic dreams, believe in myself, and start to live everyday as an ARTIST! It changed my life. This new experience has been much more subtle but equally significant. I recommend the book most highly.....not to "read" but to "live". I wouldn't have believed that I could come so far in just the past five years....but I have....and I'm going further! Thank you Julia Cameron!

(Above: Recycler. Decision Portrait Series. 31" x 25", framed. Words: Reduce, Reuse, Recycle; Think Green. Xylene photo transfer on tea-stained muslin, recycled soda tabs, beads, clipped magazine letters. Hand stitched and beaded. Click on image to enlarge.)

(Above: Patriot, Decision Portrait Series. Framed, 31" x 25". Xylene photo transfer on tea stained muslin. Hand beaded and stitched. Stitched words: I decided to serve my country. Marine LCpl. Born July 26, 1984. Entered Jan. 12, 2004. Killed in Action Mar. 14, 2005. Click on image to enlarge.)

(Above: Muslim, Decision Portrait Series. Stitched words: I Forgive Those Who Look at Me with Hate. Xylene photo transfer on tea-stained muslin. Hand beaded and stitched. 31" x 25", framed. Click on image to enlarge.)

(Above: Living with HIV, Decision Portrait Series. Stitched words: Didn't always practice safe sex. Xylene photo transfer on tea-stained muslin. 25" x 19", unframed. 31" x 25", framed. Hand beaded and stitched. Click on image to enlarge.)

Working Like Crazy!

(Above: Transported Soul, Grave Rubbing Art Quilt Series. 14" x 19 1/2". Crayon on silk collaged with vintage doily onto severely light damaged, recycled curtain. Vintage and buttons. Hand and free motion embroidered. Click on image to enlarge.)

I'm behind....pure and simple. With less than two weeks until my husband Steve and I pack up the rental truck and drive Blues Chapel to the Greater Denton Arts Council for my solo show, my "to do" list is incredibly long...and growing no matter how many items are ticked off! I haven't posted about our incredible trip to Oregon...the sand dunes, the rocky coast line, Crater Lake, the Oregon National Caves, and a night in a tree house. I promise; it's coming!


(Above: Transported Soul, Grave Rubbing Art Quilt Series. Detail. Click on image to enlarge.)

In the meantime, I have been working. The one thing that absolutely CANNOT be put onto the "back burner" is time to stitch every day! The only way to submit for juried shows, mount exhibitions, have gallery representation, and live as an "artist" is to continue MAKING MORE WORK. So, even when I can't find time to blog about it, I'm still up to my elbows in creativity.


(Above: Transported Soul, reverse. Click on image to enlarge.)

Recently I finished two small additions to the Grave Rubbing Art Quilts Series. The one above includes some of the beautiful, carnival glass like buttons purchased in the Czech Republic and some of the linen thread came from Mickey Smith formerly of Claremont, CA....whose granddaughter inherited her "stash" and passed most of it on to lucky me! The title was selected from the list complied for an earlier Grave Rubbing Quilt. Lee Monts, a talented painted, suggested it on Facebook. Thank you Lee!


(Above: Weep Not For Me, Grave Rubbing Art Quilt. 21 1/4" x 16 1/4". Crayon on silk collage with vintage linens and doily on a scrap of material acquired at a local household auction. Vintage and new buttons, including what might actually be "horn" from Austria and also "buckle" like plastic/celluloid notions. Hand and free motion embroidered. Click on image to enlarge.)

This piece includes several button-like embellishments purchased in Austria. I'm not sure, but the larger ones might actually be bone. They are not alike in size, texture or color. I'm also not sure what, exactly, the ones on the edges were intended to be. They resemble "buckles". If anyone know, please inform me!


(Above: Weep Not For Me, Grave Rubbing Art Quilt. Detail. Click on image to enlarge.)

One of the important things on which I'm putting "finishing touches" is a Power Point presentation about my work, working with a theme, and presentation as a driving creative force. I'm giving it in Denton on Saturday, November 21 at 2 PM. I've already been in contact with a few fiber enthusiasts from the area and am eager to meet them.....and anyone else!


(Above: Weep Not For Me, reverse. Click on image to enlarge.)

Even as the show in Texas grows closer, I'm acutely aware that my show in February at Gallery 80808/Vista Studios is also approaching....and fast! Thus, my Decision Portrait Series is sort of on "hold"....out of necessity....though I've recently transferred three new portraits to tea-stained muslin and am ALWAYS on the lookout for new decision on which to focus. I'll be returning to this work by February at the very latest. So, now, I'm working every day on the grave rubbing quilts, the installation if hanging epitaphs, the Angels in Mourning Series.....and still collecting artificial flowers from the dumpsters of local cemeteries (NEVER from the graves directly). Thank goodness I have a wonderfully understanding and supportive husband! Below is a photo of our guest bathroom earlier today.....you should have seen the mess on the living room floor where I dissected all these blossoms before laundering.

ACCEPTED INTO ARTQUILT ELEMENTS 2010

(Above: Father and Mother, Grave Rubbing Quilt. 29" x 30". Crayon on silk rubbings. Vintage drawn work linen. Silk. Hand and free-motion machine embroidery. Click on image to enlarge.)

Over the past Halloween weekend my husband Steve and I went to Oregon for a magical time....exploring the sand dunes, rocky coastline, the caves, Crater Lake, and lots of wilderness trails. We sampled microbrews and skate (yes...I ate part of a "sting ray!"). One night we were in the Crown Plaza presidential suite; one night in a rustic seaside cabin with a fireplace; one night in a treehouse called the Peacock Roost....30 feet above ground. Photos are coming.

In the meantime, I received an email confirming the acceptance of Father and Mother into the prestigious ArtQuilt Elements 2010 international juried show in the Wayne Art Center outside Philadelphia, PA! This is my first truly "international" show! The list of accepted work is HERE. I'm over the moon about this!

Time Flies, Grave Rubbing Quilt Series

(Above: Time Flies, Grave Rubbing Quilt Series. 34 1/2 " x 35". Crayon grave rubbings on silk and polyester collaged with hand and free motion embroidery. Recycled felt batting. Vintage linens for reverse. Click on image to enlarge.)

(Above: Detail of Time Flies, Grave Rubbing Quilt. Click on image to enlarge.)

This week I finished my largest Grave Rubbing Quilt to date. I used a suggestion from an earlier title request to give this piece a proper name. Margeeth's title was PERFECT for this piece.....henceforth known as TIME FLIES! The grave rubbings come from Colma, CA; Richmond, VA; Damariscotta, ME; and Birmingham, UK.


(Above and below: Details of Time Flies, Grave Rubbing Quilt Series. Click on images to enlarge.)

Several rubbings made on various fabrics and various shades were collaged together and hand stitched to the vintage tablecloth that made the substrata for this quilt. It was both hand stitched and free motion embroidered together. The reverse, however, was created almost miraculously as a manifestation of serendipity.

(Above: Time Flies, reverse. Click on image to enlarge.)

Just last Sunday I had the opportunity to visit the granddaughter of a talented needlepoint artist, Mickey Smith, from Claremont, California. She is now dead and her "stash" went to this nice, well educated, and interested lady...who intends to take up cross stitch...continuing her grandmother's love of counted thread arts. The granddaughter felt compelled to pass on her grandmother's supplies and vintage linens to me...with hopes that I'll give each each a "new, artistic life". Amazingly, one piece was absolutely perfect for the reverse. The smaller doily, with outstanding bullion knots, also came from this source. I signed my name and dated the quilt on this piece. All in all, I'm totally thrilled with this work.

(Above: Detail of Time Flies, reverse. Click on image to enlarge.)

By the way....tomorrow Steve and I head to Portland, Oregon for a long, romantic weekend along a rocky coast. We have reservations for Halloween night in the Peacock Suite at a Tree House Resort....literally 30 feet above ground...no toilet, TV, etc. ... but with rope bridges and zip lines! We will also be staying in a rustic cabin that includes needed logs for the fireplace! We return on Monday!

In Box Series as background for fashion magazine!

(Above: Katie, a model for WINK, posing in front of three In Box Series works by Susan Lenz. Caption: On Katie: Haute noir. The boyfriend jacket and slim pants are a handsome pair. Boyfriend optional. Black jacket $204 and pants $144 by Elliot Lauren. Purple Terryl for Thalian sweater $102, all from Round Robin. Art by Susan Lenz. )

Gallery 80808/Vista Studios is a great place to have a studio. The rent is reasonable and includes heat and air-conditioning. There are twelve other artists with studios under the same roof...who never fail to provide inspiration, support, and new ideas. There are over twenty-five exhibitions opening every year.....and two free weeks of gallery space for each artist renting a studio! (In 2010....February 4 - 16... I'm mounting Last Words and The Blues for my two weeks!)

Plus....all sorts of art related things are always happening at Gallery 80808/Vista Studio...like poetry readings and fashion shoots! Wink, a new on-line magazine, shot both their fashion layout at Gallery 80808/Vista Studios....and covered Skate and Create, the exhibition Steve and I sponsored! Read the magazine here!

Fiber and Quilt Symposium in Sumter and more angels

(Above: Detail of After the Toils of Life, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on image to enlarge. Family members, please note: a small piece of Grandma Lenz's financial ledger. I think her handwriting is wonderful! It "makes" this piece for me!)

This past week has been full of inspiration. It started out with a presentation at the Crooked Creek Art Guild. I brought my Embellisher and plenty of "stuff". Everyone got to try....making a fiber bookmark. It was a blast.

During the week I worked on several projects, finishing three new pieces in my Angels in Mourning Series.

(Above: Eternal Happiness, Angels in Mourning Series. Below: Between Light and Dark, Angels in Mourning Series. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)


I'm really enjoying the process of arranging vintage scraps of lace and hand written letters with old canceled stamps, pieces of costume jewelry, keys to unknown locks, eyeglass lens, and other ephemera that suggests lives in past times and the various things left for future generations. Stitching through the printmaking paper is easy but must be very precise. I have lots of ideas for the future images too.


(Above: After the Toils of Life, Angels in Mourning Series. Below: detail. Framed: 37 1/2" x 29". Paper: 30" x 22 1/2". Xylene photo transfer, found objects, hand stitching. Click on images to enlarge.)


On Saturday I attended Talking Threads, a quilt and fiber arts symposium at the Sumter Gallery of Art. The first speaker was Dr. Marlene O'Bryant Seabrook of Charleston. Because she lives so close, she opted to present a "trunk show" and brought many of her quilts, especially those stressing her concept of education through quilting.

(Above: Dr. Marlene O'Bryant Seabrook at the Sumter Gallery of Art's Talking Thread symposium. Below: Dr. Marlene Seabrook with my friend Doni Jordan....who started her blog in order to participate in CYBER FYBER and is wonderfully still writing and sharing her artistic journey!)


I never got a good photo of the second speaker, Laural Horton, a folklorist and internationally renown quilt researcher. Her presentation was great. It focused on the the innovations that are continually happening in the process of traditional art making through the ages. She was excellent.

Gustina Atlas, right, formerly of Mississippi but recently relocated to Denton, Texas, conducted a workshop on string quilting. It was fun. Although I've been creating grave rubbing quilts now for one year and three weeks (to be exact!), my knowledge and abilities in traditional quilting are limited.....and likely to remain so! Thus, I really enjoyed the simplicity and ease of "string quilting". Recently I've been fighting the urge to just quickly and randomly stitch together scraps of vintage linens. I just didn't know how to effectively do this....until now!

(Above: Jon Eric Riis, tapestry artist, with Karen Watson, Director of the Sumter Gallery of Art.)

The final speaker was Jon Eric Riis, the internationally great tapestry artist whose work I've admired countless times in several venues, including the Textile Museum and Renwick in DC; the Museum of Craft and Design in NYC; and gracing the pages of Fiberarts Magazine, etc. To hear him present his own life's work was a real treat. He is so gracious, kind, and generous with his time. It was my honor to simply be in his presence....but it was my privilege to actually TOUCH the two pieces he brought with him!

The entire symposium was one event associated with the exhibition on display at the Sumter Gallery of Art. Tradition/Innovation: American Masterpieces of Southern Craft and Traditional Art is an excellent show. The signage addressed many important issues, including the history of both traditional and studio craft in the South, the affects of culture and location on craft techniques and ideas, and the ways in which tradition is modified by innovation as well as the foundation of tradition for contemporary exploration.

(Above: Portal to Portal by Shawne Major. Click on image to enlarge.)

Easily, my favorite piece was Portal to Portal by Shawne Major of Louisiana. It is massive(88" x 60"), fun, well made, and speaks volumes about obsessive stitching, a consumer society, and the fragments of life. I LOVE THIS! It was created in 2005.



Finally....we have a new "rescue cat". My artistic mentor Stephen Chesley....who has a solo show opening later this week at Gallery 80808/Vista Studios (Article written by another friend, Jeffrey Day, is HERE.)...helped rescue several cats and kittens. We agree to take the older, female cat.....because she's totally black......just like Shadow, our cat who's been alone for over a year now. They aren't friends yet, but we are hopeful. We've named her Sissy because, well, it suits her. Most days she's under the sales counter. She terrified of everything, very timid, but purrs like an engine once she feels safe. She had already been spayed when found. We have a feeling that she'd been a house cat that was unceremoniously dumped when owners moved. She been bitten (jagged ear) and is still very under weight, but gaining.