Last month I posted an image of the Archeology Project. I've talked about it for months. Until the last post, I never suggested that it was anything but wonderful. It is wonderful. But, I do want more. It can be better. It can grow to include "faux" idols, fanciful archaeological tools, more books, "personal items", vials and jars of mysterious contents, fantasy maps, a tent, a desk, etc. What I've got so far works. It functions just the way I envisioned it would. I wanted people to finger through the contents of these three suitcases, exploring the items, turning them each over to see both sides, and wonder about them. I wanted the individual pieces to suggest a unique, half-hidden story with their fragmented edges and various materials. I used antique prints, text printed in 1655, vintage stamps, Victorian beads, torn up pieces of old embroideries, and collages that included international tidbits. I made it to tap into the common feeling so many people experience when visiting a famous archaeological sight...that desire to take away something from the past, like a rock from Stonehenge, some gravel from Pompeii, or a chip from the coliseum in Rome. I posted images last month. I'm posting this one to remind myself of where the Archeology Project currently stands....and where it needs to go!
Saturday, January 20, 2007
The Archeology Project
Last month I posted an image of the Archeology Project. I've talked about it for months. Until the last post, I never suggested that it was anything but wonderful. It is wonderful. But, I do want more. It can be better. It can grow to include "faux" idols, fanciful archaeological tools, more books, "personal items", vials and jars of mysterious contents, fantasy maps, a tent, a desk, etc. What I've got so far works. It functions just the way I envisioned it would. I wanted people to finger through the contents of these three suitcases, exploring the items, turning them each over to see both sides, and wonder about them. I wanted the individual pieces to suggest a unique, half-hidden story with their fragmented edges and various materials. I used antique prints, text printed in 1655, vintage stamps, Victorian beads, torn up pieces of old embroideries, and collages that included international tidbits. I made it to tap into the common feeling so many people experience when visiting a famous archaeological sight...that desire to take away something from the past, like a rock from Stonehenge, some gravel from Pompeii, or a chip from the coliseum in Rome. I posted images last month. I'm posting this one to remind myself of where the Archeology Project currently stands....and where it needs to go!
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