Wasted Words: Global Warnings

(Above: Wasted Words: Global Warnings. Click on image to enlarge.)

A couple of weeks ago I received an interesting message from the from the Center for Book Arts in New York City. I've been invited to submit work for consideration for an upcoming exhibition tentatively titled: Threads: Interweaving Textu[r]al Meaning. I was contacted because of my piece in the Lark publication 500 Handmade Books! I was so honored to be noticed that of course I said I had other, similiar works......but, until a few days ago, these pieces only existed in my mind! Thus, I've taken a little break from other work and created the first of two pieces made from World Book Yearbooks, 1962-75.

Steve and I acquired these volumes at a book auction. They were part of a very large "table lot." We weren't interested them but had to take them away...it's all or nothing! For a couple years we tried to sell them, donate them, or convince our recycling center to take them. No one wanted them. They ended up in my studio....wasted words.

(Above: Detail of rolls and cubes. Click on image to enlarge.)

To be honest, I love them. Flipping through the pages is a journey into my childhood. Browsing through the articles brings back all sorts of environmental concerns....saving whales, the dangers of pesticides, electric cars, dwindling natural resources, over-population issues, gas masks, and the overwhelming need for adults to take immediate action. In elementary school, I felt completely reassured that the global warnings I was learning in social studies class would be addressed and solved before the year 2000....a popular date on all the pretty pie charts and graphs.

Never good in mathematics, it took me days to calculate that I'd be forty years old on January 1, 2000, the first day of the new millenium....turning the ripe old age of forty-one later in June. I couldn't even imagine being forty. It was such a long, long time off in a distant future that would be filled with mass transportation, new sources of energy, protected animals, clean ways to dispose of garbage and international recycling programs.

What happened?

I seemed to have blinked my eyes and now I'm turning fifty! The world isn't better off. The same environmental issues exist....and now I'm the adult! Of course I've tried to "do my part". We actively recycle. I drive a moped and our car isn't a big gas guzzler. Is this enough? Probably not. Maybe this artwork, however, will help bring awareness to others.

(Click on image to enlarge.)

I removed all the articles about conservation, ecology, and other issues from all the volumes of World Book Yearbooks, 1962-75. These articles were carefully ripped and rolled so that highlighted words are visible. One volume, 1969, was selected randomly, ripped into strips and stitched into cubes with recycled buttons. All this was placed in a green fiber vessel made from 100% natural yarns.

Terms of Marriage, Decision Portrait Series

(Above: Decision Portrait Series, Terms of Marriage. Xylene photo transfer on tea-stained muslin. 25" x 35". Hand beading and embroidery. Stitched words: I never wanted children; As the son of a Holocaust survivor....and the grandson of Holocaust victims, I desperately wanted children; On having a family; A decision before marrying. Click on image to enlarge.)

A little over two weeks ago I ran into Dana Blau Shenker at a charity art event. Dana owns one of my "In Box" series pieces. Her mother owns several works and has honored me with two commissions for the conference room at DP Professionals. Dana asked about my current project and a discussion about the Decision Portrait Series ensued.

As a talented, figurative painter who understands the need for models, Dana immediately volunteered to pose for a portrait....but I'm looking for models willing to share significant life decisions.

I asked, "Are you willing to share you most important decision?"
Without hesitation, Dana said, "Yes!"
"What is it?," I questioned.
"I had to agree to have children before Hilik would marry me."

I was flabbergasted! Was Dana, a strong, independent woman with a college education and a job outside her home, really serious? The feminist in me flared with internal rage. Yet, Dana was already talking, explaining, and TOTALLY RIGHT!

Dana didn't want children; Hilik did; a decision had to be made if they were to get married! There's no compromise on children....no trial period, no guarantee, no backing out, no in between area! Hilik wasn't trying to force Dana to do anything. This was a relationship working itself out before establishing a permanent bond of commitment. This was an important decision that had to be made...and wisely done before marrying!

I had to think about the terms of marriage. Hadn't Steve and I talked about this issue and other important matters? Of course we had! There's all sorts of decision couples considering marriage face, from wedding plans to living arrangements, from financial obligations to religious affliations, from family traditions to social expectations. Successful marriages are made by joint decisions.

In this case, Dana decided to share Hilik's dream of a family. She has no regrets. Instead, Dana thinks her choice was one of the best she's ever made and is considering more kids! I am proud to know Dana and honored to share this story.

(Above: Terms of Marriage, detail.)

Killed Instantly....Grave news indeed...CYBER FYBER 2 postponed indefinitely

(Grave Rubbing Quilt Series, Killed Instantly. 24 1/2" x 24". Running stitch in wool. Vintage doily with embroidered poppies and vintage lace and linens on severely light damaged material salvaged from an old office window. Grave rubbings made with crayon on silk with words: Born 1817. Killed instantly in front of Petersburg, Va. June 22, 1864. Brave Christian Solider Fare Thee Well. Click on image to enlarge.)


(Above: Detail of Grave Rubbing Quilt Series, Killed Instantly. Click on image to enlarge.)

(Above and below: Details of Grave Rubbing Quilt Series, Killed Instantly. Click on images to enlarge.)


Several pieces have mysteriously come to an end within days of one another. This Grave Rubbing Series piece was finished yesterday. I'm totally in love with the repetitive and soothing motion of the kantha stitch....running stitches that meld layers into one. This piece has triggered many thoughts about the words selected for graves. Obviously, these words speak of the raw emotions of a distraught family. I can't, however, think the man would have really wanted to be remembered quite for this one event! There must have been more to him than his death! As a result, I've been collecting epitaphs...scribbled in my notebook...stewing in my brain for future work. I've also started a very, very large grave rubbing quilt. I'll have to post images while it progresses as I can't possibly finish it anytime soon! The poppies are a perfect touch. As a Girl Scout, I remember selling artificial poppies on Veteran's Day to benefit the VA hospital. To learn more about the Poppy Story, click here.

It seems apt that this quilt is pictured along with the following, grave announcement. I've been composing this entry for weeks. Like the families burying their war dead, I am distraught. Yet, this must be done. Here's the announcement:

During the past two months I have been investigating the needs to mount CYBER FYBER 2. I've learned so much, collected valuable information, and made many new contacts. I've also had to face facts. It pains me to announce that CYBER FYBER 2 has been postponed indefinitely....maybe until 2011...maybe longer. Current economic realities are harsh. A bright future might be on the horizon but there's no way to determine when it will blossom. South Carolina ranks second in US unemployment statistics and daily the numbers increase. I know teachers whose contracts will not be renewed after decades of loyal service. I know too many people in the arts and elsewhere being forced to take numerous, unpaid vacation days in order to avoid layoffs. I've had former Mouse House employees call asking if I have any openings. (I don't.) One of the people on my "Selected Reference List" is now looking for a job....needing references of her own. Our newspaper has cut staff because company advertising is so low. This cutback eliminated the entire arts section...writers and editors. The owner/editor of the region's monthly art magazine just took out a second mortgage on his house. The gallery in which my 2007 show with Janet Kozachek was held has closed its doors. I know of at least one other art gallery doing the same.

How can I, in good faith, approach businesses for financial support? I can't! How can I apply for grants from arts agencies that are experiencing as much as 25% reductions from their sources? I can't! How can I proceed knowing that Steve and I can't personally cover the expenses or expect help? It's impossible.

I don't, however, have to remove the show's listing from the Gallery 80808/Vista Studio's website. These two weeks in the incredible gallery space are mine! I WILL USE THEM to mount my own solo exhibition. The "working title" is "Life Everlasting". This installation will focus on personal and universal identities through art inspired by grave markers and epitaths.

There will be more developments, of course. For one thing, I've recently submitted exhibition proposals for "Personal Grounds" (including the entire Decision Portrait Series) and Blues Chapel. Also, I've applied for several artists residency programs and also for a summer scholarship to Penland. Depending on the outcome of one of these programs, I will hopefully be traveling to Austria with Pian and Annica (my Swedish stitching buddies) to take a workshop with Sara Lechner! I've started submitting my work for gallery representation too. In a nutshell, I'm redirecting my focus...away from CYBER FYBER 2 but toward an exciting, artistic year in art.

Trees....and other new work!

(Above: Cover of Trees, an artist book with Joyce Kilmer's poem.)

Generally I send an image of a completed piece from my Decision Portrait Series to the person who posed with a "rough draft" of the blog entry I intend to post. I wait to hear a reply....if that person's name is going to be included. So...sometimes a piece is finished for several days before I post. Today I've posted the last two finished....done last week and over the weekend. Scroll down to see them.

I also finished an artist book for my mother. The cover once wrapped around a copy of Washington Irving's Alhambra. The pages are tea-stained, collaged, and wiped with green dye. The binding is open spine. The letters for the poem, Trees by Joyce Kilmer, were cut from late 19th c. and early 20th c. magazine advertisements. I created a video...complete with music by Paul Forrest (real name!) from a CD called Music of the Trees....using the songs for ginkgo and oak. It's only one minute and forty seconds long. It is here. The post includes a story....a memory really....of being a tree in a second grade play. It was dreadful until my mother recited this poem. I hope Mom likes her "commission" that "uses acorn caps"!

From Preaching to Teaching, Decision Portrait Series

(Decision Portrait Series, From Preaching to Teaching. 25" x 19", unframed; 31" x 25", framed. Xylene photo transfer on tea-stained muslin. Hand embroidered. Stitched words: Leaving the ministry gave me the freedom to express all religious viewpoints without being an official spokesman for only one; Once Ordained. Click on image to enlarge.)

The Decision Portrait Series has included several pieces with spiritual decisions including Priest, Rabbi, Buddhist, Atheist, and Christian. I'd love to create pieces for other religious viewpoints and included this desire on the Decision Portrait "wish list". I hadn't, however, thought about someone who identifies with the concept of pluralism! This is actually strange because I totally agree! After all, I see all these portraits hanging together, coexisting, being part of a larger exhibition! I am indebted to my friend Cindi Boiter for making this suggestion and to Facebook for aiding the connection. Yet, most of all I am indebted to Hal French/this man for agreeing to pose and sharing a wonderful, insightful conversation with me when I took the photo. I also enjoyed just being in his office. Hanging on the wall was an oil painting by my mentor Stephen Chesley. The image was used on the cover of The University of South Carolina Press's edition of Hal French's book Zen and the Art of Everything.....which has been published elsewhere and has received all sorts of glowing reviews!

Someone Else's Miracle....Decision Portrait Series

(Decision Portrait Series, Someone Else's Miracle. 25" x 19", unframed; 31" x 25", framed. Xylene photo transfer on tea-stained muslin. Hand beading and embroidery. Lightly red penciled lips. Stitched words: Gave Up a Child for Adoption. Click on image to enlarge.)

For well over fifteen years I framed photos and child's artwork for at least six or seven different mothers who told me that their child was adopted, a totally wonderful "miracle". Tears leaked out of the corners of their eyes when they brought in one-year old birthday pictures and recounted the "gift" of first holding the baby just the year before. It was always a pleasure....always a miracle. I never really thought about how difficult it must have been for the birth mother....making a "miracle" come true, making a decision like this.

Bittersweet.

The rest of this story: I know the fabulously talented artist who made this decision years ago. I've known her for many of the year since the '80s hair style. She's now the mother of a teenager who just recently got married. She is again a mother of a beautiful infant boy. Even more, she is a Facebook friend with the young man she once gave up! The miracle has come full circle.

Foreigner, Decision Portrait Series

(Decision Portrait Series: Foreigner. 25" x 19". Hand stitching and beading. Free motion machine embroidery. Xylene photo transfer on tea-stained muslin. Stitched words: Foreigner; Tajikistan is a beautiful, mountainous country; My first trip was to experience a new culture; My 2nd trip was for a college eduction. Pin-on, plastic name badge holder with paper image of the Tajikistan flag and words: I'll return home to make a difference. Click on image to enlarge.)


(Above: Foreigner, detail. Click on image to enlarge.)

The word "foreigner" often conjures up dark and scary images, unfamiliar people, unknown places, and strangers. This is generally a misconception! I'm so very, very pleased that this Decision Portrait shows a beautiful, young college student from Tajikistan, a country internationally known for its fine embroidery. It is hard to imagine her decision but she made it. She was willing to leave her family, her country, and her familiar surroundings in order to travel half way around the world to another culture. She's done this twice...willingly becoming a foreigner. She's had to learn another language, other customs, other traditions, and face the misconceptions people have of those from far off places. She's an amazing young college freshman. I am proud to have stitched this story.

Dining With Friends Platter 2009, Key to the Cure

(Above: Key to a Cure, my 2009 contribution to the Dining With Friends Aids Benefit. Click on image to enlarge.)

For the past several years I've been honored to be one of the invited artists at Columbia's Dining With Friends Aids Charity Benefit. Selected artists are given a platter to creatively alter. Each one is sold by silent auction. Over the years many art lovers and supporters have amassed nice collections and the platters are considered quite collectible. In 2007, I was even the featured artist! The theme this year is: Paint the Town Red. So....the pressure was on! I don't paint much....and many of the other artists paint very, very well! Platters aren't easily stitched. I've already attached buttons and one of my "In Box" fiber works....so....this year I embellished!

(Above: Detail, click on image to enlarge.)

The centerpiece was created from two vintage doilies, wool rovings, silver chiffon, assorted off-white knitting yarns, and white felt. I beaded it by hand, attached the symbolic red lapel ribbon and ornate key, and created the tag: The KEY TO THE CURE. I sure wish someone would find the right key!

This is the first piece created on my new embellisher. My mother bought me the twelve needle machine; she got my older seven needle machine. I'm thrilled with both the machine and the platter. Oh...I painted the edge of the platter with Liquidtex's red "Glossies", a product specifically made for painting on glass and porcelain. It requires heat setting in the oven. Steve baked the plate for me! I attached the centerpiece with Golden's GAC 200, the hardest of the polymer emulsions. Although there's a warning about permanent adhesion with glass and porcelain, I've not had any problems....likely due to the fact that there's no wear and tear trying to detach the fabric from the platter!

Dining With Friend's is being held on Saturday, April 25th.

Spring time here in South Carolina is always busy with charity fund raisers. Just last week I participated in a one-night only art sale benefiting the local homeless shelter. Both of my pieces sold! (Both were miniature "In Boxes" created last October during my time at the MacNamara Foundation.) I'll be participating in Spring for Art, a fund raiser benefiting the McKissick Museum, on March 27th. The day before Dining With Friends, I'll be at the 5th Annual art gala benefiting Sandhills School, a private institution for children with learning differences. That's the same weekend as the annual spring gallery crawl, Artista Vista.....busy, busy, busy!

Decision Portraits blog updated!

I've been tracking several leads for portraits in this series. Hopefully, some of the trails will pan out into finished work. In the meantime, I'm stitching on Foreigner and From Preaching to Teaching. While I work, I think about future projects....like places to which I could submit this series for an exhibition. I've sent a few proposals already....but I'll send more...until the work gets a proper show! I've also been thinking of new portraits.....like:

On Fighting Cancer I, II, II, IV.
On Aging I, II, II, IV, V.
Smoker
Draft Dodger
Thinner
Letting Go
Unfaithful
Enhanced
etc. etc. etc.

For more information, please just visit the Decision Portrait blog....I'm looking for all these people. I can work long distance with anyone who has Internet access. I'm open to new ideas, modifications on any of the themes, etc.!

New Work

(Above: Decision Portrait Series. Dealing with Alzheimer's. Unframed: 25" x 19". Framed: 31"x 25". Xylene photo transfer on tea-stained muslin. Stitched words: I put my father in a home; Roosevelt was always the president; He thought I was his brother; The hardest part was taking him from my mother. Click on image to enlarge.)

I'm behind in blogging....but thinking...a lot! There are photos to be cropped, corrected, and titled. There are links to be made. There are so many feelings, ideas, and thoughts to be expressed about the embroideries I recently saw in England. I'm working up a marathon of posting because I really do want to remember the experiences. The inspirations and decisions are impacting me already. So, check back. Maybe even tonight I'll be composing, uploading, and sharing.

In the meantime, I'm not behind on my personal work. (Yippee!) Above is the latest piece in my Decision Portrait Series. It is called Dealing with Alzheimer's. I've known Sam Crews for many, many years. We've swapped family stories while attending antique auctions. Sam used to work as a small business lawyer. His professional advise solved a few employee dilemmas and also navigated the paperwork for Mouse House's incorporation. When we met, our children were in diapers and our parents were young and vital. Over the years, our children grew into adults....and Alzheimer's entered the picture. I haven't had to face this situation, but Sam has...with grace, prayers, and a saving sense of humor. I hope people seeing this artwork reflect on their family members, think about their own preparations for the future, and the decisions we all have ahead....We're all getting older! This portrait will be on display at Gallery 80808/Vista Studios for the annual spring gallery crawl called Artista Vista, April 23 - 25th, 2009.


(Above and below: Grave Rubbing Quilt Series: Lost at Sea. 18" x 21". Crayon on silk rubbing, scraps of an opaque chiffon scarf, hand and machine embroidery on severely light-damaged remnants of an old curtain. Words: Lost at Sea; Drowned (repeated); We therefore commit this body to the deep...Looking for the resurrection....When the sea shall give up her dead." Click on images to enlarge.)

I didn't photograph the reverse of this small art quilt as I didn't use vintage linens. I did, however, use recycled black felt in place of the batting. It came from the local canoe and kayak shop. New boats are sent to such stores wrapped in perfectly usable felt. The owner didn't want to throw it away, so he gave me yards and yards of the stuff! There's something wonderful in using old linens, recycled materials, and grave rubbings together. The used fabric just seems to feel better...like it is lending a spirit of the past and making a point of remembrance. It also seemed "right" to incorporate something attached to the notion of a "boat" with the sentiments of loss and mystery surrounding such a death.

Grave Rubbing Quilts Stitched mostly in England

(Above, front and below, reverse: Grave Rubbing Quilt Series. God Called Her Home to Heaven. 17" x 12". Hand and free-motion machine embroidery on vintage guest towel. Crayon rubbings. Found, vintage photograph and lace. Reverse includes "Asleep in Jesus" rubbing. Click on images to enlarge.)


How others travel without a needle and thread is a concept I just don't understand. I love airplane, train, and car adventures...stitching while moving....drawing a thread through fabric while looking out a window. I took these two small grave rubbing art quilts with me to England and nearly finished both during the trip. Kantha stitching has truly inspired this series. I adore the notion of quilting together recycled materials, combining fabric and a sense of the past into something relevant. Okay....I've likely gone a bit overboard with the kantha stitch. Mine are small and close together....totally covering the entire area. I feel compelled to mark every square quarter of an inch with stitch! Yesterday I completed the reverse sides and photographed them.

I'm already at work on two other, larger grave rubbing quilts and stitching a new piece in my Decision Portrait Series, Dealing with Alzheimer's. I know I've promised a post on two of the embroidery exhibitions I saw in England....but I'm still working with my images and mulling over my observations....trying to put into words an otherwise visual experience.

Also while in England, I made more grave rubbings. These (further below) were created in the Warstone Lane Cemetery in the Jewelry Quarter....an amazing place started in 1847 that is no longer available for burials...lots of character! I nearly froze to death while making them....but it was worth it!

(Above, front and below, reverse. Grave Rubbing Series Quilt. The Just by Faith Shall Live Again. 14" x 18". Hand and free-motion machine embroidery on vintage linen and severely light damaged, recycled curtain scrap with found buttons. Crayon rubbing. Reverse: Vintage hand embroidered linen runner. Click on images to enlarge.)

(Below: Grave rubbings recently created in Birmingham, England. Click on image to enlarge.)

My Trip to England in a Nutshell

(Above: Doni Jordan...and the cake we split for lunch last week before I left for England.)

I left for England last week....and before I got a chance to blog about a wonderful lunch I shared with my friend Doni Jordan. Doni's a wonderful artist who enjoys fibers, African art and artifacts, conceptual approaches to creativity, and book arts. Doni's also new to blogging. She had some early difficulties....but was able to trade postcards with me for CYBER FYBER. She's up and running now! Her blog is here and I know she'd really appreciate a few supportive comments!

(Click on any image in this post to enlarge.)

To continue with dining experiences...above and below are two photos of Mathias and Laura-Jane during two of the dinners we shared during the past week. The one above was cooked by Mathias. The one below was taken in a fancy Italian restaurant.

To see more images of Mathias and Laura-Jane...from the three week Birmingham Royal Ballet tour to China, just visit My Family Blog. During the week, I color/contrast, cropped, titled, and generally "corrected" all the photos Mathias took during the trip. He took hundreds....of course he did....THEY WERE IN CHINA after all! I didn't get to see Mathias dance this trip as he wasn't cast this week. The part he's in, however, is a total blast. I hope he gets to dance it while BRB (Birmingham Royal Ballet) tours to Plymouth and/or Sunderland....and especially while they appear in London in April....as Steve and I are flying with my mother to see these performance. In the meantime, Laura-Jane was quite beautiful in her part.

(Above: Craft by the Bay.)

Even though Mathias wasn't on the stage this week, both he and Laura-Jane went to "work" every day....that's ballet class in the morning followed by afternoon rehearsals. I had plenty of time to sight-see and meet fiber friends.

I spent last Saturday in Cardiff with Carol Taylor. We were instantly talking as if we've always known one another and the very best time....so intensely that neither of us remembered to capture one another (much less both of us together!) in a photograph! Carol blogged about our day here.

(Above: Fresco from St. Teilo's restored church. Click on this and any other image to enlarge.)

We walked around the lovely waterfront and spent wonderful time at Craft by the Bay (above), just soaking up inspiration from the high quality wares available. Then we went to a fabulous outdoor museum with many interesting building from all different locations and centuries of Welsh history. I love these sort of places. One of the most interesting structures was the restored St. Teilo's church. The frescoes were incredible....but I also loved the general store, the row houses with each unit restored to a different decade, the cock-fighting silo, and the tannery.

(Above: One of several lime over heavy stone farm houses.)

Meeting Carol was tremendous. I can't really put into words how wonderful it is to finally meet someone with shared interests whose been an Internet friend!


Believe it or not, I also met another Internet fiber friend! Sue Krekorian met me two days after visiting Carol in Cardiff! We both arrived in Taunton at the exact same time and spent four hours admiring a textile exhibition in the sprawling gallery and theater lobby.


(Above: Detail of the altar cloth in the Abbey Church in Bath created by Jane Lemon.)

I've always admired ecclesiastical embroidery, especially the exotic silk and metal threads. My favorite works are the ones that blend traditional stitch with a contemporary approach. Jane Lemon's work is hands-down FANTASTIC. No photo can do her work justice.

(Above: The Roman Baths with a view to the Abbey.)

Well...yes...after a delightful and totally inspiring time with Sue in Taunton, I went on to Bath, a city I've wanted to visit since childhood. I worried that my expectations were too high. I wondered if Bath might just be a tourist trap. I thought I might be making a mistake to plan two full days there.

I shouldn't have worried at all. I could have enjoyed much more time in this fabulous destination. I WAS GREAT! I stayed at the YMCA....and it was GREAT too!

I went to the ancient Roman Baths first. It was more than I had dreamed. The sense of history was present with every step. The patina of time scarred the wall and I could feel the heat rising from the water's surface as steam!


I spent more than two hours in the Abbey. Unfortunately, begging didn't get the docents to agree to let me make grave marker rubbings....but I was ready. (I got some great ones, however, from the cemetery in Birmingham!) Thus, I photographed lots and lots of interesting memorials and wrote down some really great epitaphs....very inspirational stuff for my newest embroidery series. Of course, I also took the tower tour.

From the Abbey heights, I could look down to the Roman Baths where I'd spent the morning.

Above is the excellent guide, a museum graduate student who is doing an internship in the archives. She was pointing out the ways in which the ten heavy bells are struck. The five of us on the tour even got to ring the bells! I have no idea what the citizens of Bath think when odd sounds peal from the tower at strange times, but it was great fun!

We also got to go behind the clock face.


(Above: One of the Assembly Rooms)

That evening I met with Janet McNulty for dinner at a Nepalese restaurant called Yak Yeti Yak. Janet is one of the "Friend of BRB" who actually reads this blog, knew I was going to be in Bath, and emailed to meet me! She just happened to be working in Bath this past week. It was wonderful to spend time with someone so knowledgeable about the ballet company. She also showed me around the other side of the Avon river and explained quite a lot about the magnificent Georgian architecture and the places where Jane Austen lived.


The next day I visited a city park and the botanical garden before going to the Fashion Museum and its spacious Assembly Halls (above) with their nine fabulous, late 18th c. chandeliers. Unexpectedly, I was thrilled to see the solo exhibition of contemporary embroidery, Laura McCafferty: Drawing with Fabric. It was top notch. I particularly liked her choice of fabrics and the overall presentation. Her stitching was obvious but did not take away from the well thought-out design. Her power of observation made each ordinary scene special.

(Above: The Crescent in Bath.)

Talking about the 18th century. I was totally blown away by the Crescent (above) and the Circus. The restored No. 1 Crescent house museum was excellent. Each room was well appointed and had a docent who just loved to talk about everything from this era. An elementary school group went through the building with me. It was great to watch them learn about time before computers and flush toilets!

Not everything I did in Bath was historical or educational. I also managed to get in a little shopping. This is really saying something as I'm not ordinarily much of a shopper....but...on Walcot Street there was one artisan shop after another including a glassblowing workshop....

.....and a long alleyway that was just one big business selling reclaimed architectural pieces, from chair-rail moulding to copper lined bath tubs, from solid wooden doors to staircase spindles, from church pews to light fixtures and more!

I love Bath....and already want to return!


(Above: The Forge Mill Needle Museum in Redditch.)
Yesterday I went to Redditch to the Forge Mill Needle museum. Sue Krekorian sent me a link about the place because there was a juried embroidery show on display. I plan to write a separate blog post on this exciting exhibition too. It was very, very interesting. The location, however, had a fascinating history itself. I had no idea that during most of the 19th c. and into the 20th c. nearly 90% of the world's needles had been made in Redditch. I never really thought about how needles (and fish hooks!) were manufactured but now I do! I also enjoyed the archeological site of the former abbey on this site and its small museum.

Tomorrow I return home....to work and my studio....and to the future blog posts I intend to write about the two contemporary stitching exhibitions I saw.

Getting Ready to go to ENGLAND!

(Click on image above to enlarge. Grave Rubbing Quilt Series. God Called Her Home to Heaven. This work is obviously "in progress" and will be going with me to England. Vintage linens and lace were simply pinned with crayon rubbings on silk to a felt background. I free motion stitched it together. Yes....I'm a little strange this way! Instead of hand basting and then free motion stitching, I do it in the opposite order! This will be mostly hand stitched...including some sort of way to attach the antique photo.)

It seems that every time I'm about to go on a trip I finish the hand stitching that could go with me! It has happened again.

I'm flying to England on Wednesday evening...arriving Thursday in Manchester and catching a train to Birmingham...to Mathias and Laura-Jane's apartment which I've only seen in photos. I've got all sorts of great plans for my time in England...more than just ballet. In fact, I'm only seeing ONE performance of Sylvia. That show isn't until the evening of Thursday the 26th.

(Click on image above to enlarge: Grave Rubbing Quilt Series. Lost at Sea. This is a work in progress and will be going with me to England. The background was once a curtain....severely light damaged but now recycled with scraps of a semi-opaque chiffon scarf and lots of machine stitching...simple rows of variegated thread and silver metallics. I actually hand basted the grave rubbings on silk using perle cotton and some upholstery thread. I've just started to outline the grave rubbings in free motion embroidery.)

So...what am I going to do with all the time beforehand? I'm going to Cardiff in Wales on Saturday, February 21st. It's going to be an especially great experience as I'm meeting up with the talented and adventuresome CAROL TAYLOR. She's meeting me outside the central train station at 9:45 for a day of sightseeing, stitching, and textile talk! I can hardly wait. (If you're anywhere in the area and want to join us...drop Carol a note!)

(Click on image above to enlarge: Grave Rubbing Quilt Series. Petersburg. Vintage lines, doilies, lace and grave rubbings on silk pinned to a severely light damaged scrap of an old curtain. Obviously, a work in progress....and this one is too big to take to England.)

On Monday I'm going to Taunton to see another textile exhibit recommended by Maggie Grey. I'm sure this will be inspiring. That evening I return to Bath, a place I've wanted to visit since junior high school. I'm staying at the YMCA through Wednesday.

(Click on image above to enlarge: Grave Rubbing Quilt. The Just by Faith Shall Live Again. This is a work in progress and going to England to be hand stitched. The grave rubbing on silk came from a 1796 tombstone. It was free motion embroidered to a vintage doily on a piece of a severely light damaged curtain. I love recycling material...especially when it is the absolutely PERFECT coloring!)

Well, needless to stay, I need at least one...two...or possibly three hand stitching pieces to go with me. How could I spend time on a plane or a train or in the evening without a needle and thread? So this weekend was spent in my studio starting a number of new grave rubbing quilts.


(Above and below. Click on images to enlarge.. Grave Rubbing Quilt. Thy Blessed Will be Done. Grave rubbing on silk machine stitched to a vintage doily, a scrap of a severely light damaged curtain, and finally onto a piece of fringed crochet. I hand stitched it to the crochet so that the back is still visible. I'm working on a rod for hanging....otherwise....this one is done!)